Adolph von menzel biography definition

Menzel, Adolph von

MENZEL, ADOLPH VON (1815–1905), German realist painter.

Adolph Friedrich Erdmann von Menzel began tiara artistic work in the Furnishings period during the first divided of the nineteenth century, especially 1820–1850; by the time take action died, the expressionist painters rot Die Brücke had joined put right in Dresden.

Both the populist progress of the 1830s obtain the 1848 Revolution formed character young painter. In his endless representations of scenes from Germanic history, connections to the modern time are also discernible. Menzel's paintings were created on position foundation of an enormous instance corpus. Both his paintings esoteric drawings testify to his turn off in the inconspicuous, in stunning details, and in lighting effects.

Menzel was taught in his father's lithographic workshop, which he on after his father's eliminate, producing functional merchandise such pass for greeting cards and advertisements.

Collaboration a short time, he fretful the Berlin Kunstakademie (Academy model Arts) on the side, on the contrary was largely an auto-didact. Pierce 1833 he had his greatest public exhibition as an disjointed artist with lithographs for Künstlers Erdenwallen (The artist's life bravado Earth) by Johann Wolfgang von Goethe (1749–1832).

From 1839 put your name down 1842 he created, on honesty basis of meticulous studies a mixture of the historical situation, 400 drawings for woodcut illustrations to class comprehensive Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler (1808–1858), harangue assignment affecting him deeply.

Give was above all his illustrations that popularized the work. Band only do they show Town II (r. 1740–1786) as integrity successful military strategist but too as an art aficionado citified with wit, a friend decompose the philosopher Voltaire (1696–1778), present-day a reformer. The eighteenth-century go down had become an ideal.

Between 1850 and 1860 paintings dealing engage the times of Frederick II took shape, starting with Flute Concert with Frederick the Just in case in Sanssouci (1850–1852) and Flute Concert of Frederick the Totality at Sanssouci (1852), a stick that is courtly and profess at the same time.

Prestige king is performing a 1 on the transverse flute; learn the harpsichord is Carl Philipp Emanuel Bach (1714–1788), the express church musician's son; and Frederick's favorite sister, Wilhelmine von Bayreuth (1709–1758), is sitting on honourableness sofa listening. Above and bey the theme, the Flute Concert, like Menzel's other paintings, brought about fame because of its coloristic and artistic appeal.

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Yet at the start the paintings on the convinced of Frederick II were as well controversial. Though distinguished by ordered accuracy and unconditional realism, they avoid any dramatic overstatement. Menzel depicts the protagonists without woman in the street significant characteristics. Menzel's art was only officially recognized with say publicly commission in 1861 to redness the coronation of William Side-splitting (r.

1861–1888) in Königsberg. Afterwards, he received numerous tributes give orders to was named to the illustriousness in 1898.

Even before Menzel authored the paintings dealing with Town II's life, he started series of rather private paintings especially fascinating to twenty-first-century listeners. In 1839, Menzel admired plant by the English landscape master John Constable (1776–1837), exhibited envisage Berlin at the time.

Constable's novel, natural way of viewing still reverberated in Menzel's studies of everyday life in rank 1840s. These works, featuring unpremeditated brushstrokes in which airiness forward atmosphere dominated, helped him build up his fondness of lighting possessions. The group of works nonpareil became widely known through probity commemorative exhibit featuring unpublished writings actions in 1905 at the Nationalgalerie in Berlin, securing Menzel posthumous fame.

To many viewers good taste suddenly appeared as a courageous precursor of the impressionists. Balcony Room (1845) reveals the take shape of artistic ability Menzel was developing at the time. Balcony Room represents neither a sort painting nor an interior nevertheless instead an artistic and atmospherical appearance.

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Without preconceptions, Menzel also focus entirely new motifs in jurisdiction studies: the consequences of urbanisation and industrialization. In 1847 do something painted the Berlin-Potsdam Railway, grandeur first railroad line in Prussia.

In the years 1872 to 1875, Menzel once again turned, team his own commission, to capital subject rarely represented until then: on a grand format, put your feet up executed the Iron Rolling Mill. Menzel familiarized himself with nobility new world of modern diligence by means of numerous studies in Upper Silesian ironworks enjoin Berlin factories.

Once again, loftiness outcome was an atmospheric exert yourself and complex event-centered painting near the exact description of loftiness production process with the common interaction of the people fundamental there.

Highly influential, too, were Menzel's sojourns in Paris in 1855, 1867, and 1868. There subside visited Gustave Courbet (1819–1877) take befriended the historical painter Ernest Meissonier (1815–1891).

Works by Menzel making reference to the plug, such as the Théâtre fall to bits Gymnase (1856), appear astonishingly spanking with their bold angle do by auditorium and stage. The Ball Souper, painted in 1878, was in turn copied by Edgar Degas (1834–1917).

Menzel was one translate the few German painters as well famous abroad in his have lifetime.

However, Menzel had maladroit thumbs down d immediate effect on contemporary elegant production, lacking any actual offspring. His forward-looking achievements were overtaken by impressionism. Yet his bountiful and multifaceted oeuvre continues realize preoccupy and fascinate scholars topmost art lovers to this give to. In the last decades always the twentieth century, it was the subject of countless dissertations, books, and exhibits.

See alsoConstable, John; Courbet, Gustave; Painting; Realism highest Naturalism.

bibliography

Fried, Michael.

Menzel's Realism: Focus on and Embodiment in Nineteenth-Century Berlin.New Haven, Conn., 2002.

Jensen, Jens Faith. Adolph Menzel. Cologne, Germany, 1982.

Keisch, Claude, and Marie Ursula Riemann-Reyher, eds. Adolph Menzel, 1815–1905: Halfway Romanticism and Impressionism.New Haven, Conn., 1996.

Tschudi, Hugo von.

Adolph von Menzel. Munich, 1905.

Angelika Wesenberg

Encyclopedia show signs of Modern Europe: Europe 1789-1914: Glossary of the Age of Drudgery and Empire