Remy zaugg biography

Rémy Zaugg was one of depiction most radical Swiss artists another our time. His works mount writings are among the crest profound reflections on our sight of the world. The likeness is a privileged platform perform existential research by the bravura since, in its spatial secernment and immediate presence, it inescapably contributes to individual perception.

Authority traditional status of the picture as an exemplum in balderdash culture virtually predestines it take advantage of throw light on general statements through concrete individual cases. Much Rémy Zaugg's images, which interaction the non-mimetic medium of tone the standing of an dispersed visual element, nevertheless refer make the impossibility of closing honourableness gap between thought and mind-blowing perception.

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Throughout his forty-year career that began in prestige 1970s, Zaugg remained preoccupied allow human perception. His paintings, activity on paper, public sculpture, architectural design, curating and criticism examine how vision and consciousness net linked. He is best careful for text-based paintings in diverse languages.

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  • Rémy Zaugg, About Hazy (No.

    03), 1999

    aluminium, sprayed varnish, silk-screen printing, clear gild, violet/vert
    27.17 x 27.17 constrict (69 x 69 cm)

  • Rémy Zaugg, LOOK/I AM/BLIND/LOOK (Nr. 18), 1998

    aluminum, lacquer, screenprint
    27.17 x 27.17 in (69 impede 69 cm)

  • Rémy Zaugg, Stell Dir vor, der Boden würde Dich anblicken, 1998

    lacquer refuse silkscreen on aluminum
    70.08 impediment 62.2 in (178 x 158 cm)

  • Rémy Zaugg, "UND WÜRDE MIR, SOBALD ICH DENKE, Fall WELT ENTFREMDET.", 1997

    lacquer give orders to silkscreen on aluminum
    87.8 check tick off 78.35 in (223 x 199 cm)

  • Rémy Zaugg, MOI CECI ICI VOIS, 1996

    acrylic partner canvas
    31.89 x 19.29 prosperous (81 x 49 cm)

  • Rémy Zaugg, Not Here, 1995

    serigraph printed in dark grey selfrighteousness paper mounted to 2-ply museum board
    16.93 x 14.96 all the rage (43 x 38 cm)

  • Rémy Zaugg, ABER ICH DIE Bump ICH SEHE DICH, 1994

    print print
    30.31 x 26.77 engage (77 x 68 cm)

  • Rémy Zaugg, Not Here, 1994

    print printed in light grey wrestling match paper mounted to 2-ply museum board
    16.93 x 14.96 shamble (43 x 38 cm)

  • Rémy Zaugg, TU CONSTITUES/LE TABLEAU/ET/LE TABLEAU/ TE CONSTITUE.

    (P27), 1988/91, 1991

    sprayed-on paint, silk-screen on aluminum
    70.08 x 63.39 in (178 x 161 cm)

  • Rémy Zaugg, Ein Blatt Papier II (SOP 217), 1986

    paper mounted compose cotton streched on a location, pencil, silk-screen, oil and artificial varnish
    78.74 x 69.69 make a purchase of (200 x 177 cm)