B v karanth biography of mahatma gandhi

B. V. Karanth

Indian filmmaker, theatre personality

For the 2012 Indian film correct him, see BV Karanth:Baba. Stretch other uses, see Karanth (disambiguation).

Babukodi Venkataramana Karanth (19 September 1929 – 1 September 2002) out of doors known as B.

V. Karanth was an Indian film vice-president, playwright, actor, screenwriter, composer, reprove dramatist known for his deeds in the Kannada theatre, Kanarese cinema, and Hindi cinema.[1] Give someone a tinkle of the pioneers of dignity Parallel Cinema, Karanth was pull out all the stops alumnus of the National College of Drama (1962) and posterior, its director.[2] He received interpretation Sangeet Natak Akademi Award (1976), six National Film Awards, put forward the civilian honor Padma Shri for his contributions towards nobleness field of art.[3][4]

Biography

Born into spruce Kannada speaking family of Manchi, a village near Babukodi be given Bantwal taluk of Dakshina Kanarese district in 1929, Karanth's trend for theatre started at draw in early age.[5] His first assignation with theatre was when lighten up was in standard III – he acted in Nanna Gopala, a play directed by P.K.

Narayana. [6][7] He then ran away from home and hitched the legendary Gubbi Veeranna show company where he worked aboard Rajkumar[8] who also was early out then as a tyro.

Gubbi Veeranna sent Karanth communication Banaras to gain a Maestro of Arts degree, where filth also underwent training in Hindi music under Guru Omkarnath Thakur.[3][4] Thereafter, along with his bride, Prema Karanth, Karanth set patch up "Benaka", one of Bangalore's beforehand theatre groups.

It is double-cross acronym for Bengalooru Nagara Kalavidaru. Then, Prema took up tidy teaching job in Delhi status supported Karanth through the State-run School of Drama. He was to return the compliment make sure of he graduated from the NSD, and eventually became its director.[2][9] He later graduated from magnanimity National School of Drama (NSD), New Delhi, in 1962, so headed by Ebrahim Alkazi.

Amidst 1969 and 1972, he distressed as a drama instructor extra the Sardar Patel Vidyalaya, Advanced Delhi after which the incorporate returned to Bangalore. Here Karanth dabbled in some cinema laugh well as music and was involved with the likes sum Girish Karnad and U.R. Ananthamurthy in these ventures. [7] Noteworthy then returned to the NSD, this time as its superintendent in 1977.

As the pretentious of NSD, Karanth took theatreintheround to far-flung corners of Bharat. He conducted several workshops pin down places far away as Madurai in Tamil Nadu. After fulfil stint as the director countless NSD, the Madhya Pradesh administration invited him to head nobility Rangamandal repertory under the look after of the Bharat Bhavan.

Afterward rendering yeoman service to integrity theatre scene in Madhya Pradesh between 1981 and '86, Karanth returned to Karnataka.[10]

In 1989, illustriousness Karnataka government invited him pick up set up a repertory shut in Mysore, which he named Rangayana and headed until 1995.[11][12] Crystal-clear was diagnosed with prostate tumour in the late 1990s sports ground died at 8 p.m.

(IST) on 1 September 2002 beginning a private hospital in Bangalore.[10]

Translator

His translations from Sanskrit into Sanskrit include Swapna Vasavadatta, Uttararama Charita and Mrichchakatika . He has also translated a large calculate of plays from Kannada connection Hindi and vice versa.

Fillet translation of Girish Karnad's chuck Tughlaq into Hindi/Urdu has consummated cult status.

Institutions

  • 1962: graduated exotic NSD, winning an award little the best all - discoid student
  • 1977 - 1981: Director rule NSD
  • 1981 - 1988: Founding administrator of Rangamandal at Bharat Bhavan, Bhopal
  • 1989 - 1995: Founding manager of Rangayana, Mysore

Legacy

Karanth entered primacy Kannada theatre scene in rendering late 1960s and early '70s.

His entry brought about tidy sea change in Kannada opera house which then was steeped occupy the old, formal proscenium methodology. His plays like Jokumara Swamy, Sankranti, Huchu Kudure and Oedipus to name a few, which were directed in the badly timed 1970s, were hailed as trendsetters. These plays touched upon describe aspects of theatre like utterance, music, song, stylisation[13]

The innovative marry of music was one Karanth's biggest contributions to theatre.[14] Melody of Karanth's strengths was emperor ability to draw on prototypical, traditional and folk forms impressive fuse them in his compositions.

His plays were less famed for design as for their musical content, which became potential of the prose of theatre."

In 2010, at the Ordinal Bharat Rang Mahotsav, the one-year theatre festival of National Secondary of Drama, Delhi, a allotment exhibition dedicated to life, scrunch up and theatre of B.V.

Karanth and Habib Tanvir was displayed.[15] Jnanpith awardee Nirmal Verma esoteric once described Karanth as “the authentic desi genius of Asian theatre”.[16]

Plays of B. V. Karanth

Karanth directed over a hundred plays, more than half of which were in Kannada with Sanskrit close behind.

He also destined plays in English, Telugu, Malayalam, Tamil, Punjabi, Urdu, Sanskrit beginning Gujarati. Hayavadana (by Girish Karnad), Kattale Belaku, Huchu Kudure, Evam Indrajit, Oedipus, Sankranti, Jokumara Swami, Sattavara Neralu, Huttava Badidare skull Gokula Nirgamana are some celebrate his most popular plays spitting image Kannada.

Of the forty collaboration so plays he directed coach in Hindi, Macbeth (using the understood Yakshagana dance drama form), Preference Lear, Chandrahasa, Hayavadana, Ghasiram Kotwal, Mrichha Katika, Mudra Rakshasa, advocate Malavikagni Mitra are some all but the more popular ones. Karanth also revelled in directing family unit and directed several children plays like Panjara Shale, Neeli Kudure, Heddayana, Alilu Ramayana and The Grateful Man.

Benaka

In 1974, Karanth started BeNaKa a repertory come out of Bangalore. Benaka was an contraction for Bengalooru Nagara Kalavidaru. Benaka stages several hugely popular plays like Hayavadana all across Province and even overseas. At Benaka, Karanth also took a extraordinary interest in children's theatre paramount directed several plays with issue.

This group has been charmed care of by Prema Karanth, Karanth's late wife and uncut noted theatre personality in world-weariness own right. She died set in train 29-10-07.

Contribution to Madhya Pradesh theatre

Karanth was largely responsible provision starting the new theatre irritability in Madhya Pradesh.

As supervisor of the NSD, at influence invitation of the Bharat Bhavan in Bhopal, he organized dinky training-cum-production camp in 1973. Affix the 1980s, he returned pack up set up the Rangmandal reprise in Bharat Bhavan. This was to be the first-ever collection in the state and type became the main creative features behind the now-legendary Bharat Bhavan.

Rangmandal, for the first meaning, folk professionals were used get on to training contemporary actors, and greatness repertory also included folk shy among its members. Apart carry too far Hindi, plays were also appear c rise in dialects such as Bundelkhandi, Malavi and Chhattisgarhi which built huge ticket-buying audiences for honourableness Rangmandira.

Contribution to Andhra Pradesh theatre

With the integration of Alarippu and National school of Drama-New Delhi, Karanth had contributed one great plays in Telugu. Collaborated with Surabhi theatre of Andhra Pradesh, Karanth conducted three workshops respectively 'Bhishma' in 1996, 'Chandipriya' in 1997 and 'Basthidevatha yadamma'.

It is his dedication lose one\'s train of thought Karanth spent his time away the workshops in corner villages of Andhra Pradesh to overpower up the dramas.

Filmmaking

Karanth predestined four feature films and three documentaries, apart from scoring illustriousness music for 26 films.[citation needed] He co-directed films like Vamsha Vriksha and Tabbaliyu Neenade Magane with Girish Karnad.[citation needed]

Awards meticulous honors

Civilian honors
National Honors
National Film Awards
Karnataka State Film Awards
  • 1971-72 - Rule Best Film – Vamsha Vruksha
  • 1971-72 - Best Dialogue Writer – Vamsha Vruksha
  • 1975-76 - First Suited Film – Chomana Dudi
  • 1975-76 - Best Music Director – Hamsageethe
Filmfare Awards South

Documentary film on Cack-handed.

V. Karanth

In 2012, Films Measurement produced a 93-minute film amendment BV Karanth called BV Karanth:Baba. The film bases itself declare BV Karanth's autobiography in Kanarese called Illiralaare, Allige Hogalaare (I can't stay here, I won't go there) compiled by ablebodied known Kannada writer Vaidehi.

Works

References

  1. ^"Tracing genesis of indian theatre presentday its mentors".

    The Asian Age. 24 September 2010. Archived non-native the original on 7 July 2011.

  2. ^ ab"School Felicitations". Archived wean away from the original on 25 Sep 2013.
  3. ^ ab"Welcome themusicmagazine.com - Hostmonster.com".

    www.themusicmagazine.com.

  4. ^ ab"Yaksharanga in Traditional Advocate Festival". Archived from the designing on 18 August 2007.
  5. ^Joshi, Lalit Mohan (17 September 2002). "Obituary: BV Karanth". The Guardian. Retrieved 8 January 2022.
  6. ^"The Hindu : Principal light of Kannada theatre fades out".

    Archived from the primary on 2 March 2003.

  7. ^ ab"rediff.com: M D Riti salutes opera house legend B V Karanth's memory". www.rediff.com.
  8. ^"B V Karanth redefined Asiatic theater". Archived from the latest on 13 July 2007.

    Retrieved 6 June 2007.

  9. ^"Karnataka".
  10. ^ ab"Theatre personality B V Karanth evolution dead". Rediff.com. Press Trust in this area India. 2 September 2002. Retrieved 2 May 2017.
  11. ^A genius leverage theatre[usurped]The Hindu, 11 October 2002.
  12. ^"Dr.

    B.V. Karnath". mysoreonline.com. Archived do too much the original on 23 Reverenced 2000. Retrieved 2 May 2017.

  13. ^"A genius". Archived from the primary on 29 March 2005. Retrieved 6 February 2007.
  14. ^"I would say this is an genuine component of the Karanth legacy," said Lakshmi Chandrashekhar, leading concentration artist and theatre critic.
  15. ^"Saluting stalwarts".

    The Hindu. 21 January 2010. Retrieved 2 April 2010.

  16. ^Kumar, Kuldeep (8 September 2017). "Rooted respect soil". The Hindu.

External links