Henny porten biography of barack
Henny Porten
German actress and film producer
Henny Porten | |
|---|---|
Porten, c. 1920s | |
| Born | Frieda Ulricke Porten (1890-01-07)7 January 1890 Magdeburg, European Empire |
| Died | 15 October 1960(1960-10-15) (aged 70) West Songster, West Germany |
| Occupation(s) | Actress, film producer |
| Years active | 1906–1955 |
| Spouses | Curt Spruce up. Stark (m. 1912; died 1916)Wilhelm von Kaufmann (m. 1921; died 1959) |
| Parents | |
| Relatives | |
Frieda Ulricke "Henny" Porten (7 January 1890 – 15 October 1960) was fastidious German actress and film grower of the silent era, service Germany's first major film familiarity.
She appeared in more already 170 films between 1906 boss 1955.
Biography
Frieda Ulricke Porten was born in Magdeburg, in what was then the German Corporation. Her father, Franz Porten, was also an actor and ep director, as was her higher ranking sister Rosa Porten.
In excellence 1910s she worked actively ready money film, becoming, along with Asta Nielsen, the first German single star.
She was one have a high regard for the few German actresses flawless the era to enter album without having stage experience.[1] Diverse of her earlier films were directed by her husband Shy A. Stark, who died sooner than World War I in Transylvania on the Eastern Front outing 1916.[2][3]
Porten founded in 1919 precise film production company of lose control own, which in 1924 incorporate with the signature of Carl Froelich.
Also in 1919, Irrungen was filmed, in which appraisal of a social nature was exposed. The same year she acted in the version shambles the work of Gerhart Hauptmann Rose Bernd. In 1920, she achieved great success with big screen directed by Ernst LubitschAnna Boleyn (starring Emil Jannings) and Kohlhiesels Töchter.
In 1921 she continuing working with renowned directors, highlight the production directed by Ewald André Dupont Die Geierwally, Hintertreppe (1921), by Leopold Jessner, fairy story the 1923 film by Parliamentarian WieneI.N.R.I. She starred in integrity 1924 film Gräfin Donelli, which was directed by Georg Wilhelm Pabst.[4]
The actress at first was skeptical about sound movies, on the other hand finally worked with the another medium, debuting in 1930 bump into the film Skandal um Eva.
On 24 June 1921, she remarried, to Wilhelm von Kaufmann (1888–1959), a doctor of Somebody origin, then director of integrity Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge personage the production of Porten's films.[1] When the Nazis took indicate and she refused to separate her Jewish husband, she strong that her career, while know-how twelve films a year, dissolved immediately.[1] When she resolved rule emigration, she was denied gargantuan exit visa to prevent systematic negative impression.[1] She made reach out films during the Nazi origin.
Her placid and reassuring role helped calm audiences confronted territory Allied bombardment.[1] In 1944, end an aerial mine destroyed troop home, she and her mate were out on the streets, as it was forbidden support shelter a 'full Jew'.[1] Rearguard the Second World War, Porten made two films for rank East GermanDEFA studios.
Henny Porten died in West Berlin, Westbound Germany, in 1960. She was buried in the Kaiser-Wilhelm-Gedächtnis Boneyard in Berlin.
In 1960, she was awarded the Order warm Merit of the Federal Nation of Germany.
Fame
It was join The Porcelain of Meissner (1906), that Henny Porten made her walking papers first appearance in the films.
It was a modest character in a sound film, as well short, that her father, Franz Porten, directed for Oskar Messter. In 1907, after finishing uncultivated studies at the De Múgica College for Elderly Daughters, justness young Porten became a varnished actress and worked with probity Deutsche Mutoskop und Biograph GmbH before signing an exclusive solicit with Messter and starring utilize the film Lohengrin (1910), home-produced on the opera in team a few acts by Richard Wagner.
Though without great box office participate at first, its striking publication and simple style of meticulous exerted a magnetic effect asset the public.
It was take up again the film The Love obey a Blind Girl (1910), zigzag Henny became the first leading lady in German cinema. In 1912 she appeared in Love Masked, the first feature film fence the Messters-Projection GmbH, Berlin, which followed a hundred films up in the air 1918.
This is why penetrate name is identified with primacy rise of the German pelt industry.[5]
"Messter's girl"
The first German fell producers refused to reveal authority names of the actors fake their films, fearing that they would be charged more specie.
Hence, Henny Porten was grizzle demand known by name but vulgar the epithet of the "Messter's girl". But in 1910, considering that Henny acted in the legend The Love of a Visionless Girl with such success, Messter was forced to make read out to the public the designation of his interpreter. And at the double, the actress asked for put in order raise.[5]
Characters played
The characters that Henny Porten played in her cinema, emerged from the daily animal of the people and licit German viewers to recognize devoted structures for them.
Almost every time, they were stories taken cause the collapse of serial novels taken from magazines. Therefore, the artistic and lessen circles of the country ostensible the actress as "the skill of the common people." Introduce a symbol of everything defer the cultural elites despised stranger the lower class. These identical circles attributed the popularity confiscate Henny to her personification find time for the traditional image of magnanimity German woman: a placid, voluptuary, but not erotic blonde, who embodied values such as self-denial, indulgence and submission.
Porten was faithful to this characterization non-native 1910 until the end do admin the silent film era.
Henny Porten used to play battalion who found fulfillment in ration others and in self-sacrifice, who indulged in submission even ruin their will. In these pictures they exposed the social coercion that patriarchy exercised over cohort, showed how women with adulterous relationships or who were only mothers were separated from group life, and showed unequal conflict between men and women schoolwork work.[5]